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Highland Dancing & the Dances
About Highland Dancing
Highland Dances
National Dances
Medal Tests
Competition Registration
Championship Steps 2010 new
Championship Steps 2009
Championship Steps 2008
Championship Steps 2007
About Highland Dancing
Scottish Highland Dancing is a celebration of the Scottish spirit. The dances are a spectacular combination of strength, agility, movement, music, and costume. Unlike other dance mediums, Highland dances are generally danced solo and in competition. Dancers typically dance to traditional Scottish music such as Strathspeys, Reels, Hornpipes and Jigs all played by an accompanying bagpiper. The dances are made up of different parts, called steps and there are usually four or six steps to a dance. The dances are great fun and anyone, not just those with a Scottish heritage, who thrills to the sound of the bagpipe can join in and learn the dances.
Highland dancing was traditionally performed by men but is now performed by men and women. It is one of few arenas where men and women compete equally. In most competitions, the number of women competing far exceeds the number of men.
Highland Dancing is a healthy workout for adults and for children. It is a great way to develop good coordination, posture and overall muscle tone, not to mention aerobic capacity and strength. One study showed that a half hour of dance was equal to a game of soccer.
Ambitious new students develop self-discipline and confidence as they learn to tackle the physical demands of Highland dancing. Indeed, the tremendous strength, stamina, and technical precision that accomplished dancers exhibit on stage comes from years of independent training and collaboration with experienced teachers.
In addition to perpetuating a great cultural tradition, highland dancers appreciate the athletic challenges, competitive goals, performance opportunities as well as the opportunity to meet and become lifelong friends with dancers from other areas, both nationally and internationally, that participation in this ethnic art form/sport affords them.
There are two styles of Highland Dances: the traditional Highland Dances and the graceful National Dances.
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Highland Dances
Highland Fling
Likely the oldest of the traditional dances of Scotland, the Highland Fling signifies victory following a battle. The warriors made this dance a feat of strength and agility by dancing on their upturned shields which had a sharp spike of steel projecting from the center. Dancers learned early to move with great skill and dexterity. Others say the Highland Fling was inspired by the sight of a deer prancing on a hillside. The upraised arms and hands in the dance represent the deer’s antlers.
Sword Dance (Gillie Callum)
Legend has it that the initial Gillie Callum was created by Malcolm Canmore, a Celtic Prince who fought a battle in 1054. Triumphant, he crossed his opponent’s sword with his own and danced over them celebrating his victory. It is also said that the warriors danced the Sword Dance prior to battle. If the warrior touched the swords, it was considered an omen symbolizing injury or death in battle.
Seann Triubhas (Old Trousers)
This dance originated as a political protest dating back to 1745 when the wearing of the kilt was an act of treason. Pronounced "shawn trews", this Gaelic phrase means "old trousers". The beautiful, graceful steps reflect the restrictions imposed by the foreign trousers. The lively quick time in the dance recreates the Highlanders’ celebration of rediscovered freedom.
The Reels
The Reel O’Tulloch is said to have started in a churchyard on a cold winter morning when the minister was late for his service. The parishioners tried to keep warm by stamping their feet, clapping their hands and swinging each other by the arms.
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National Dances
The National Dances are more modern than the Highland Dances and were developed so women could participate. The costume worn by women is called the Aboyne dress named in honor of the Aboyne Highland Games in Scotland where women were forbidden to wear the traditional Highland outfit. The National Dances are much more rhythmic and balletic; however, they still require quick and precise movements. Some of the dances are the Scottish Lilt, Village Maid, Blue Bonnets and Scotch Measure. Several National Dances are performed in the kilt since they were originally men’s dances such as The Highland Laddie, and Wilt Thou Go to the Barracks, Johnny? Men, of course, also perform all of the dances, but they wear the traditional Highland outfit.
Irish Jig
The Scottish version of the Irish Jig is meant to parody an angry Irish washerwoman when she finds out some neighborhood boys have knocked all of her clean wash to the ground. Another version describes a woman who shakes her firsts and flounces her skirt because she is furious with her husband who has been out drinking until the wee hours.
Sailor’s Hornpipe
The Sailor’s Hornpipe requires strength and stamina to mimic in dance a variety of shipboard tasks including swabbing the deck, climbing the ship’s rigging, standing watch and hauling in rope. The Hornpipe is danced in a British sailor's uniform and derived its name from the fact that usually the musical accompaniment was played on a hornpipe rather than bagpipes.
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Medal Tests
In addition to competitions, dancers also have the opportunity to track their dancing progress through medal tests. Usually offered once a year, these tests measure a dancer's progress against a "standard" level rather than against other competitors. The higher the testing level, the more difficult the standard.
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Competition Registration
(also see Online Registration)
A dancer who plans to compete must register with FUSTA at the regional level and obtain an SOBHD Worldwide registration card. This card indicates the competition level of the dancer: Primary, Beginner, Novice, Intermediate, or Premier. In the Beginner and Novice categories, a competition win of at least one 1st, 2nd, or 3rd place medal entitles the dancer to receive a stamp on their registration card. When a dancer has six stamps, or has been in the category for six months (whichever is longer), she/he progresses to the next level.
Intermediate dancers remain in the category for one calendar year from the date of the first intermediate competition entered, whether they compete at it or not. After that time period is up, regardless of how many wins, the dancer moves into the highest and most prestigious category, Premier, where they will remain the rest of their dancing career. All dancers are required to re-register every year. Primary dancers do not get their cards stamped until they turn seven years old and enter the Beginner category.
Dancers must present their registration cards at each competition in order to receive their awards. This registration scheme is a very effective way of keeping track of the dancer's progress, and ensures that every dancer has the opportunity to compete with others of comparable ability throughout the world.
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note the year (see further down for prior year)
Championship Steps - 2010
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| Juvenile |
Adult |
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| Highland Fling |
Highland Fling |
| 1st |
Shedding |
1st |
Shedding |
| 2nd |
Back Stepping |
3rd |
Toe and Heel |
| 4th |
Rocking |
4th |
Rocking |
| 5th alt |
2nd Back Stepping (high cut in front) |
5th |
2nd Back Stepping (round the leg) |
| 6th |
Cross Over |
6th alt2 |
Cross Over with Travel |
| 8th |
Last Shedding (2 turns) |
8th |
Last Shedding (2 turns) |
|
| Sword Dance |
Sword Dance |
| Intro |
4 count bow and step to 1d |
Intro |
Step to 1d with rise on count 8 |
| 1st |
Addressing the Swords |
1st |
Addressing the Swords |
| 6th |
Reverse Points |
5th |
Diagonal Points |
| 4th |
Pointing |
4th |
Pointing (arms in 2nd bars 4, 8, 12, 16) |
| 7th |
Open Pas de Basque (commence with 2 closed Pas de Basques) |
7th |
Open Pas de Basque (commence with 2 open Pas de Basques) |
|
| Seann Triubhas |
Seann Triubhas |
| Intro |
Alt. Method pivot 1/8th turn |
Intro |
Basic |
| 1st |
Brushing |
1st |
Brushing |
| 2nd |
Side Travel |
6th |
Leap and High Cut |
| 6th alt. |
Leap and Shedding |
3rd |
Diagonal Travel (4 pivots) |
| 5th |
Traveling Balance |
4th alt. |
Backward Travel (with shuffles) |
| 10th |
Shedding with Back Step |
15th |
Back Stepping |
| 11th |
Toe Heel and Rock |
12th |
Pointing and Back Stepping |
| Finish |
Method 1 (1 leap) |
Finish |
Method 2 (2 Leaps) |
|
| Reel |
Reel |
| Strathspey and Half Tulloch |
Strathspey and Half Tulloch |
| Intro |
Alternate method (rise on 8) |
Intro |
Alternate method (rise on 8) |
| Ending |
2nd alt. Method (round the leg and extend to 2nd with hop) |
Ending |
1st alt. Method (extend to 2nd with hop) |
| 3rd |
Toe and Heel |
1st. |
First Shedding |
| 6th |
Cross Over |
2nd |
First Back Stepping |
| Half Tulloch |
Half Tulloch |
| 1st |
Pas de Basques |
1st. |
Pas de Basques |
| 10th |
Shuffle |
2nd |
Shake and Travel Alt. Method (x2 with 8 high cuts) |
| 3rd |
Balance and Pas de Basque (4 times) |
3rd |
Balance and Pas de Basque (4 times) |
| Last |
16 High Cuts |
Last |
16 High Cuts |
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Championship Steps - 2009
|
|
| Juvenile |
Adult |
|
| Highland Fling |
Highland Fling |
| 1st |
Shedding |
1st |
Shedding |
| 5th |
2nd Back Stepping (round the leg) |
2nd |
Back Stepping |
| 3rd |
Toe and Heel |
3rd |
Toe and Heel |
| 4th |
Rocking |
5th alt |
Alt. 2nd Back Stepping (hi cut in front) |
| 6th alt. |
Alt. Cross Over with Extension |
7th |
Shake and Turn |
| 8th alt. |
Alt. Last Shedding (3 sheds, 1 turn) |
8th alt. |
Alt. Last Shedding (3 sheds, 1 turn) |
|
| Sword Dance |
Sword Dance |
| Intro |
6 count bow and place on 1/2 point |
Intro |
6 count bow and rise on balls of feet |
| 1st |
Addressing the Swords |
1st |
Addressing the Swords |
| 4th |
Pointing |
6th |
Reverse Points |
| 7th |
Open Pas de Basque (commence with 2 closed Pas de Basques) |
7th |
Open Pas de Basque (commence with 2 closed Pas de Basques) |
| 8th |
Crossing & Pointing (commence with 2 open Pas de Basques) |
8th |
Crossing & Pointing (commence with 2 open Pas de Basques) |
|
| Seann Triubhas |
Seann Triubhas |
| Intro |
Either |
Intro |
Pivot 1/8th turn |
| 1st alt. |
Brushing with Pas de Basques |
1st alt |
Brushing with Pas de Basques |
| 2nd |
Side Travel |
2nd |
Side Travel |
| 3rd |
Diagonal Travel (4 pivot turns) |
9th |
Double High Cutting |
| 4th |
Backward Travel (with travel, no shuffles) |
8th |
Side Heel and Toe (2 shakes, 2 pivots) |
| 11th |
Toe Heel and Rock |
10th |
Shedding with Back Step |
| 14th |
Heel Toe, Shedding and Back Stepping |
14th |
Heel Toe, Shedding and Back Stepping |
| Finish |
2 turns |
Finish |
2 Leaps |
|
| Reel |
Reel |
| Hullachan |
Hullachan |
| 1st |
Pas de Basque |
1st |
Pas de Basque |
| 2nd |
Shake and Travel (3 times then 4 high cuts) |
10th |
Shuffle |
| 6th 1st |
Balance Round the Leg (3 times then 4 high cuts) |
3rd alt. |
Balance and Pas de Basque (3 times then 4 high cuts) |
| 5th |
High Cuts and Spring Points (3 times then 4 high cuts) |
7th |
Back Step and Travel |
| 9th |
High Cut in Front and Balance (2 times with no high cuts) |
9th alt. |
High Cut in Front and Balance (with 4 high cuts) |
| 8th |
Assemble and Travel |
5th alt. |
High Cuts and Spring Points (4 times) |
| 3rd |
Balance and Pas de Basque (4 times) |
8th |
Assemble and Travel |
| Last |
16 High Cuts |
Last |
16 High Cuts |
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Championship Steps - 2008
|
|
| Juvenile |
Adult |
|
| Highland Fling |
Highland Fling |
| 1st |
Shedding |
1st |
Shedding |
| 2nd |
Back Stepping |
2nd |
Back Stepping |
| 3rd |
Toe and Heel |
4th |
Rocking |
| 6th |
Cross Over |
5th alt |
2nd Back Stepping (hi cut in front) |
| 7th alt |
Double Shake and Rock |
7th alt |
Double Shake and Rock |
| 8th |
Last Shedding (2 turns) |
8th |
Last Shedding (2 turns) |
|
| Sword Dance |
Sword Dance |
| Intro |
4 count bow, step to 1d |
Intro |
4 count bow, step to 1d |
| 1st |
Addressing the Swords |
1st |
Addressing the Swords |
| 2nd |
Open Pas de Basque |
5th |
Diagonal Points |
| 3rd 2nd alt |
Toe and Heel (finish 4 spring points with no turn over the first sword) |
3rd 1st alt |
Toe & Heel (finish per 2nd step turn, end in 4th position facing square A) |
| 8th |
Crossing & Pointing (commence with 2 open Pas de Basques) |
8th |
Crossing & Pointing (commence with 2 open Pas de Basques) |
|
| Seann Triubhas |
Seann Triubhas |
| Intro |
Either |
Intro |
Either |
| 1st |
Brushing |
1st alt |
Brushing with Pas de Basques |
| 2nd |
Side Travel |
2nd |
Side Travel |
| 7th |
Hi Cut in Front & Balance (no travel and no shuffles) |
5th |
Traveling Balance |
| 8th |
Side Heel and Toe (2 shakes, 2 pivots) |
6th |
Leap and High Cut |
| 15th |
Back Stepping |
11th |
Toe Heel and Rock |
| 13th |
Heel Toe and Shedding |
12th |
Pointing and Back Stepping |
| Finish |
1 Leap |
Finish |
2 Leaps |
|
| Strathspey and Highland Reel |
Strathspey and Highland Reel |
| Strathspey |
Strathspey |
| Intro |
Pivot and Point count 5, 6 rise count 8 |
Intro |
Rise and Pivot all on count 8 |
| Ending |
1st alt (extend to 2nd aerial with hop on count 4, 1 leap) |
Ending |
3rd alt (2 leaps) |
| 5th alt |
2nd Back Stepping (hi cut in front) |
3rd |
Toe and Heel |
| 4th |
Shake and Rock (finish with 3 rocks) |
6th |
Cross Over |
| Reel |
|
Reel |
|
| 6th |
Balance Round the Leg (2 times then 2 round the legs then 4 hi cuts) |
2nd 1st alt |
Shake and Travel (2 times, then 8 hi cuts) |
| Last |
16 High Cuts |
Last |
16 High Cuts |
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Championship Steps - 2007
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|
|
|
| Juvenile |
Adult |
|
| Highland Fling |
Highland Fling |
| 1st |
First Shedding |
1st |
First Shedding |
| 2nd |
Back Stepping |
5th |
2nd Back Stepping (round the leg) |
| 4th |
Shake and Rock |
3rd |
Toe and Heel |
| 6th |
Cross Over |
6th |
Cross Over |
| 7th |
Shake and Turn |
7th |
Shake and Turn |
| 8th |
Last Shedding with 2 turns |
8th |
Last Shedding with 2 turns |
|
| Sword Dance |
Sword Dance |
| Intro |
4 count bow, step to 1 d |
Intro |
6 count bow, rise in 1st |
| 1st |
Addressing the Swords |
1st |
Addressing the Swords |
| 4th |
Pointing |
2nd |
Open Pas de Basque |
| 5th |
Diagonal Points |
3rd |
Toe & Heel (finish pdb, assemble
hi cut) |
| 8th |
Crossing and Pointing (commence
2 closed pdb) |
8th |
Crossing and Pointing (commence
2 closed pdb) |
|
| Seann Triubhas |
Seann Triubhas |
| Intro |
Either |
Intro |
Either |
| 1st |
Brushing |
1st |
Brushing |
| 2nd |
Side Travel |
2nd |
Side travel |
| 5th |
Traveling Balance |
7th alt. |
Hi cut in Front and Balance (with travel) |
| 6th alt. |
Leap and Shedding |
6th alt. |
Leap and Shedding |
| 13th |
Heel, Toe and Shedding |
10th |
Shedding with Back Stepping |
| 11th |
Toe Heel and Rock |
14th |
Heel, Toe Shedding and Back Stepping |
| Finish |
Method 1 (1 leap) |
Finish |
Method 1 (1 leap) |
|
| Strathspey Highland Reel & Half Tulloch |
Strathspey Highland Reel & Half Tulloch |
| Strathspey |
Strathspey |
| Intro |
Basic |
Intro |
Basic |
| Finish |
Basic (1 leap) |
Finish |
2nd alt. (round the leg, hop and ext.
and 1 leap) |
| 3rd |
Toe and Heel |
2nd |
Back Stepping |
| 6th |
Cross Over |
4th |
Rocking (finish with 2 rocks) |
| Highland Reel |
Highland Reel |
| Finish |
8 reel movements OR 7 reel
movements, assemble, change |
Finish |
8 reel movements OR 7 reel
movements, assemble, change |
| 2nd |
Shake and Travel
(3 times with 4 hi cuts) |
8th |
Assemble and Travel |
| 9th |
Hi cut in Front and Balance |
5th |
Hi cut and Spring Point
(3 times and 4 high cuts) |
| 1st |
Pas de Basque |
1st |
Pas de Basque |
| 5th |
Hi cut and Spring Point (4 times) |
9th |
Hi cut in Front and Balance (no hi cuts) |
| 3rd |
Balance and Pas de Basque (4 times) |
4th |
Brushing |
| Last |
High Cutting |
Last |
High Cutting |
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